Do you include yourself within a metaliterary tradition, along authors such as Vila-Matas, Piglia, and Bolaño?

Not really. I admire the authors you mention. I am not sure I would define them as metaliterary. My own books often talk about literature, but my intention in doing this is to disassemble illusions. I would say my approach is against literature. The Private Life of Trees, for me, was a reaction against Bonsai. And Bonsai, in a manner, is a book that struggles against its own nature.

What do you think of the Roberto Bolaño phenomenon in the US?

I think what has happened with Bolaño is wonderful. His work deserves all the attention in the world and it’s impossible to exhaust it in one or two readings. On the contrary, we will be reading and re-reading his books for a long time to come. Bolaño is to me like an older brother whom I admire without reservations. I anxiously await his return from his travels so I can listen to his stories. I don’t want him ever to die. And don’t tell me he’s dead. I won’t believe you.