Art September 25, 2012 By Sarah Coleman

Ingrid Bergman at Stromboli, 1949. Gelatin silver print, printed later

Ingrid Bergman at Stromboli, 1949. Gelatin silver print, printed later

If you can only get to one venue, though, the two shows at the Greenberg gallery make up a great combination. First, Gordon Parks: Centennial offers a broad overview of this extraordinary man and his career. Then Invisible Man zooms in on a single project, and we get a unique glimpse into Parks’ working methods. We see his love for Harlem, his feeling for its burdened residents. Somehow, he manages to make the invisible visible.

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